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Documenting changing fashion in Africa post-1960

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Home »View all posts by  kathleenlawther (Page 2)

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Beige textile with a check design made up of many scrawled black and brown lines.

R6139/2 Textile; Bogolanfini; Mudcloth

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Bogolanfini, or mudcloth, is a Malian textile dyed using complex techniques and distinctive patterns. The cloth is traditionally made by men and dyed by women, using yellow and black dyes, and bleach to strip areas of colour away. This example was made around 1970. Collected as part of the Fashioning Africa project. Creator: unknown Place: Read More …

CategoriesExplore Flat Textile CollectionsTagsMali, mudcloth, Textile examples, textiles

Narrow weave strip cotton cloth aso-oke fabric, with floating threads, beige with blue metallic stripes.

R6139/1 Textile; Aso-oke

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This cloth is an example of an aso-oke style called eleya-sanyan, with an inlaid striped design in two metallic blue shades. Sanyan is a classic style of aso-oke which is woven from from anaphe wild silk, while ‘elaye’ refers to the open work holes in the cloth that form the structural decoration along with the Read More …

CategoriesExplore Flat Textile CollectionsTagsaso-oke, Nigeria, Textile examples, textiles

man's green dashiki shirt on a mannequin

R6138/5 Shirt; Dashiki

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This dashiki, called kitenge in Kenya, belonged to Collecting Panel member Tony Kalume. Read More …

CategoriesExplore Fashion CollectionsTagsdashiki, garments, Kenya, Postcolonialism Pan-Africanism & Resistance

Woman's yellow and blue dashiki shirt on a mannequin

R6138/4 Shirt; Dashiki

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This dashiki tunic from the 1980s belonged to Judith Birya who used it for everyday wear. Dashiki, called kitenge in Kenya, is a distinctive colourful textile which is popular in East and West Africa and the African diaspora. Collected by Tony Kalume as part of the Fashioning Africa project. Place: Kaloleni, Kilifi County, Kenya, East Read More …

CategoriesExplore Fashion CollectionsTagsdashiki, garments, Kenya, Postcolonialism Pan-Africanism & Resistance

Women's orange and yellow dashiki shirt on a mannequin

R6138/3 Shirt; Dashiki

Posted on

This dashiki tunic from the 1980s belonged to Beryl Adhiambo who used it for everyday wear. Dashiki, called kitenge in Kenya, is a distinctive colourful textile which is popular in East and West Africa and the African diaspora. Collected by Tony Kalume as part of the Fashioning Africa project. Place: Kisumu County, Kenya, East Africa, Read More …

CategoriesExplore Fashion CollectionsTagsdashiki, garments, Kenya, Postcolonialism Pan-Africanism & Resistance

red blue and black dashiki dress with red lace at the yoke and black lace fringing at the shoulder

R6138/2 Dress; Tunic; Dashiki

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This dashiki tunic was worn by the owner, Tracyter Mutala, to a wedding in Bungoma County, Kenya where she coordinated her look with other female members of the groom’s family. Tracyter customised the tunic with a red lace trim. Collected by Tony Kalume as part of the Fashioning Africa project. Place: Bungoma County, Kenya, East Read More …

CategoriesExplore Fashion CollectionsTagsdashiki, garments, Kenya, Postcolonialism Pan-Africanism & Resistance

Man's black dress shirt made of dashiki fabric

R6138/1 Shirt

Posted on

This shirt was bought by the Kenyan owner Casbery Omurunga as a plain black button down shirt. He had his tailor add dashiki fabric to the front, shoulders and cuffs, and wore the finished shirt to his nephew’s baptism. Dashiki, called kitenge in Kenya, is a distinctive colourful textile which is popular in East and Read More …

CategoriesExplore Fashion CollectionsTagsdashiki, garments, Kenya, Postcolonialism Pan-Africanism & Resistance

Magenta, navy blue, yellow and white wax print women's top and skirt outfit

R6136 Wax Print Wedding Guest Outfit

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This outfit was made by Joma Wellings-Longmore, who wore it as a guest to a wedding in the 1990s. The look included a pink mesh headwrap which matches the skirt (collected but not pictured). Joma spoke to collecting panel member Edith Ojo about the inspirations behind the outfit. Edith explains: ‘It is a bold statement Read More …

CategoriesExplore Fashion CollectionsTagschanging trends, diaspora, garments, wax print, wedding

Burgundy and pale pink men's fila hat with silver thread, made from strip woven aso-oke cloth.

R6135/6 Hat; Fila

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This aso-oke fila was worn by Shola Bello, a British Nigerian man, at his wedding. Aso-oke translates as ‘top cloth’ or ‘high status cloth’ and was traditionally narrow strip-woven by men. It is a popular choice for special occasion outfits for Yoruba people in Nigeria and in the UK. While some groom’s outfits are entirely Read More …

CategoriesExplore Accessories and Object CollectionsTagsAccessories Hair Styling & Make Up, diaspora, Nigeria, wedding

Man's robe and trousers in a white fabric woven with geometric designs and a silver metallic trim.

R6135/3-5 Aso-oke outfit

Posted on

This Yoruba groom’s outfit was worn by Shola Bello at his wedding. He wore white to match with his bride, Titi, whose outfit was also collected by the Museum. This intricately woven fabric was bought and made in Lagos, Nigeria, where it is known locally as Guinea Brocade. It was made by a tailor who Read More …

CategoriesExplore Fashion CollectionsTagsdiaspora, garments, Nigeria, wedding

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  • Home
  • Find Out More About the Project
    • Collecting Panel
    • Sourcing the New Collection
    • Access and Events
    • Textiles Study Day
    • Textiles Training and Skills Development
    • Further Reading
  • Explore The New Collection
    • Art & Photography
    • Garments
    • Textiles
    • Accessories
    • View by Country
  • See Exhibition and Display Archives
    • Fashion Cities Africa Exhibition
      • Fashion Cities Africa Films
      • Featured Designers
      • Fashion Cities Africa by Hannah Azieb Pool
    • Fashion Cities Africa: Brighton Stories Display
    • Framing Fashion Display
    • Object Journeys Displays
      • Township Journeys
      • Aso Oke: A Celebration of Style
  • Acknowledgements
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